First glimpsed as a gawky schoolgirl, wearing a travelling-coat two sizes too large, she grows into a coquettish lover, then a manipulative, avaricious courtesan before our eyes.
Within the framework of his concept, McVicar is thoughtful and right-on: Manon dessay dvd Parris Share this: In a McVicar production, each ballet member and chorister is an individual character going about his or her business. The latter was also the vehicle for his triumphant debut at the Royal Opera, Covent Garden where he has since returned for performances of Lenski, the Duke and the title role in a Manon dessay dvd production of Don Carlo led by Antonio Pappano.
Now, I can say I'm glad I was proved wrong: The Comte des Grieux of baritone Roger Joakim is a commanding figure in the drama as an aptly authoritarian father for Des Grieux. When Villaume does arrive and begins conducting a spirited performance, each of the 12 fall into a choreographed ballet pantomime.
I guess poor Manon is doomed from the start to a life of thievery and degradation. He decided to place the action in the stocks of a museum somewhere in Egypt [Egyptian Museum in Cairo?!
This allows for great fluidity between scenes but serves the drama very badly in the more intimate moments. Je fis cruelle et coupable! But something of Massenet's story--and its earlyth-century feel--is lost in the realism.
Natalie Dessay embodies the character of Manon remarkably, even within this framework. More stodgy than dashing, he is nonetheless playful in the opening of act two, where his two arias are set to a frisky game of hide and seek with Violetta. But McVicar sees it differently, and while it doesn't "spoil" the opera by any means, it alters the focus, with the shadiness and squalor somewhat intrusive and the story's innate sentimentality given short shrift.
Didier Henry's Bretigny is suitably grotesque for this viewpoint and he sings with strength. Like I said, it is not all about Natalie. A huge trompe l'oeil curtain is visible behind the semi-circle, implying that there is a play-within-a-play going on, or at least that the main characters in the drama are worthy of gawking at.
Her voice seems to be blooming into a full lyric, and when it does, Manon will be her role, no doubt about it.
But he snuggles next to some men who find his nakedness interesting enough to provide him with some additional paper money to stuff in his underwear as they delicately stroke his legs.
His production does succeed mightily in suggesting where each scene takes place with minimal props--a table here, some chairs there, and we are in a room, a gambling hall, a dark quayside. Her singing of each of the great arias is equally fascinating, with delicate embellishments at such moments as 'Profitons de la jeunesse', and a really touching 'Adieu, notre petite table', ending up lying in a foetal position on top of the table.
Not for nothing is this opera set in the eighteenth century: The crowd that watches varies from the 18th-century painted dandy to the hoi polloi; I'm not certain as to the implications, except that clearly Manon and her plight are something for the entertainment of others.
David McVicar has cimply created a superb production of Manon for the Barcelona Liceu, which brings out virtually all the strenghts of Natalie Dessay.
Many were involved in this meritorious production, but special mention should be made of the Set and Costume Designer, Tanya McCallin, who was a true collaborator on such McVicar ideas as the voyeurism and the concept of the arena.
Her singing of each of the great arias is equally fascinating. A special note is the exclusive use of cloth for the costumes of a kind that existed in the 18th century no synthetics.
But her dainty appearance belies as large a voice and as accomplished a coloratura technique as one finds in Manon or similar roles on the opera stages today.This new collection showcasing 20 years of recordings from this most versatile of artists including classical, opera and songs from musicals – includes previously unreleased track “Bebe”.Natalie Dessay defies categorisation.
Over a year career the multi-faceted soprano has risen to. Manon is regarded by many as Massenet’s best opera but it wasn’t immediately recognized as a masterpiece by the critics and took quite some time before it became famous.
In it received its th performance in Paris but during the last three or four decades it seems that Werther has been more frequently played. Massenet: Manon.
Erato: Buy 2 DVD Videos online. Natalie Dessay (Manon), Rolando Villazon (Le Chevalier des Grieux), Samuel Ramey (Le Comte des Grieux), Manuel Lanza (Lescaut), Orquesta Sinfónica e coro del Gran Teatre del Liceu, Victor Pablo Pérez. French Opera AriasNatalie Dessay (soprano)Orchestre du Capitole de Toulouse, Choeur 'Les Elements', Michel Plasson Boieldieu: Profitez de la vie (from Le Fête du Village Voisin)Donizetti: Pour ce contrat fatal Salut à la France (from La fille du régiment)Gounod: Ah!
Je veux vivre dans ce rêve (from Roméo et. Massenet: Manon. Erato: Buy 2 DVD Videos online. Natalie Dessay (Manon), Rolando Villazon (Le Chevalier des Grieux), Samuel Ramey (Le Comte des Grieux), Manuel Lanza (Lescaut), Orquesta Sinfónica e coro del. Note: Citations are based on reference standards.
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